Over the next seven days, we’re offering free digital copies of some of our more relevant — perhaps even inspiring — works of radical literature. Download a copy, share it with your friends, then read it together.
"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect."
In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing, and through our everyday lives. In this collection of four essays—three of which are previously unpublished—the author of A People's History of the United States writes about why "to criticize the government is the highest act of patriotism."
This classic manual on repression by revolutionary activist Victor Serge offers fascinating anecdotes about the tactics of police provocateurs and an analysis of the documents of the Tsarist secret police in the aftermath of the Russian revolution.
As we approach the 100th anniversary of Victor Serge’s (1926) classic exposé of political repression, the specter of fear as a tool of political repression is chillingly familiar to us in world increasingly threatened by totalitarianism. Serge’s exposé of the surveillance methods used by the Czarist police reads like a spy thriller. An irrepressible rebel, Serge wrote this manual for political activists, describing the structures of state repression and how to dodge them—including how to avoid being followed, what to do if arrested, and tips on securing correspondence. He also explains how such repression is ultimately ineffective.
“Repression can really only live off fear. But is fear enough to remove need, thirst for justice, intelligence, reason, idealism…? Relying on intimidation, the reactionaries forget that they will cause more indignation, more hatred, more thirst for martyrdom, than real fear. They only intimidate the weak; they exasperate the best forces and temper the resolution of the strongest.” —Victor Serge
In early 2004, photographs came to light revealing extensive prisoner abuses, instances of torture, and other war crimes at the U.S.-run Abu Ghraib detention center, committed by U.S. military and other government personnel. At the time, the Human Rights Watch confirmed that “the only exceptional aspect of the abuse at Abu Ghraib may have been that it was photographed." It is within this context that Angela Davis, one of America's most remarkable political figures, gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics and prison.
In Abolition Democracy, Davis talks about her own incarceration, as well as her experiences as "enemy of the state," and about having been put on the FBI's "most wanted list." She talks about the crucial role that international activism played in her case and the case of many other political prisoners.
Throughout these interviews, Davis returns to her critique of a democracy that has been compromised by its racist origins and institutions. Discussing Bush-era disclosures about the disavowed "chain of command," and the formal reports by the Red Cross and Human Rights Watch denouncing U.S. violation of human rights and the laws of war in Guantanamo, Afghanistan, and Iraq, Davis focuses on the underpinnings of prison regimes in the United States in the late 20th and early 21st centuries.
Born in San Salvador in 1935, Roque Dalton dedicated his life to armed struggle while writing fierce, tender poems about his country and its people. In Historias y poemas de una lucha de clases / Stories and Poems of a Class Struggle, Dalton offers a road map for a liberated El Salvador, writing through the lens of five poetic personas, each with their own imagined history and distinct voice. This collection shows a country caught in the crosshairs of American imperialism, where the few rule the many and the many fight to survive—and yet there is love and humor and self-mockery to be found here on every page, in every verse, as well as an abiding faith in humanity. “I believe the world is beautiful,” Dalton writes, “and that poetry, like bread, is for everyone.”
A guide to direct action for those disillusioned with the posturing of liberal “activism.”
The left is losing, but it doesn’t have to be that way. Here is the radical’s guide to activist work—the manual we need at this crucial moment to organize for universal human rights, a habitable earth, and a more egalitarian society.
In Volume 1: Building Movements and Fighting to Win, McBay describes the need for resistance movements, and paints a portrait of what a thriving resistance movement might look like today.
Powerful ideas of protest and freedom of expression from the world-renowned Egyptian political prisoner and activist.
Featuring a foreword by Naomi Klein.
Alaa Abd el-Fattah is arguably the most high-profile political prisoner in Egypt, if not the Arab world, rising to international prominence during the revolution of 2011. A fiercely independent thinker who fuses politics and technology in powerful prose, an activist whose ideas represent a global generation which has only known struggle against a failing system, a public intellectual with the rare courage to offer personal, painful honesty, Alaa’s written voice came to symbolize much of what was fresh, inspiring and revolutionary about the uprisings that have defined the last decade. Collected here for the first time in English are a selection of his essays, social media posts and interviews from 2011 until the present. He has spent the majority of those years in prison, where many of these pieces were written. Together, they present not only a unique account from the frontline of a decade of global upheaval, but a catalogue of ideas about other futures those upheavals could yet reveal. From theories on technology and history to profound reflections on the meaning of prison, You Have Not Yet Been Defeated is a book about the importance of ideas, whatever their cost.
"If we are to be treated like animals with no agency, so be it. But we shall bypass cattle and livestock, ignore pets and domesticates. We shall look to the lizards, starfish and earthworms— those beings that can regenerate after any injury, no matter how grave. We shall accept that regenerated organs may not be identical to what was lost. They could appear to be mutilated, but look closer and you will see the beauty in monstrosity, for only the monstrous can hold both the history of dreams and hopes, and the reality of defeat and pain together. The monstrous need not forget their old injuries in order to lose their fear of acquiring new ones."
The complete writings of radical leftist and political revolutionary, Ulrike Meinhof, co-founder of the Red Army Faction (RAF), aka. The Baader-Mienhof Gang.
No other figure embodies revolutionary politics and radical chic quite like Ulrike Meinhof, who formed, with Andreas Baader and Gudrun Ensslin, the RAF, notorious for its bombings and kidnappings of the wealthy in the 1970s. But in the years leading up to her leap into the fray, Meinhof was known throughout Europe as a respected journalist, who informed and entertained her loyal readers with monthly magazine columns.
