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Seven Stories Press

Works of Radical Imagination


These revelatory short stories tread the line between surrealism and realism with strange, appealing characters who take on a sacrifice in spite of themselves.

Translated by Thomas Bunstead

A followup to his first novel, The Night (winner of the Rive Gauche à Paris Prize for foreign books in 2016), this collection of short stories by Venezuelan literary star Rodrigo Blanco Calderón features a taxidermist painter, a blind man lost in Mexico City, a female motorcyclist who rides naked through the night, a foreigner who learns a language making confessions in Paris churches, and a dying pilot who finds peace in a reading of Antoine de Saint-Exupéry.

Impeccable and masterful in his storytelling, Calderón constructs a nocturnal cast of characters who become the victims and executioners of a sacrifice in the midst of a floundering Venezuela, others with the threat of terrorism in France, or in a Mexico symbolizing the first shots of the revolution.


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“Rodrigo Blanco Calderón is one of the most ambitious narrative voices of his generation. His prose is violent and unrelenting. Effective. Sordid.”

“Venezuelan writer Calderón (The Night) returns with a wonderfully bizarre and dreamlike collection. The narrator of “Petrarch” confides how it felt to finally graduate from high school at 21 in Mexico City, to be named for a 13th-century poet, and how his hair turned white as a kid. “Black Holes” follows a new taxi driver trying to support his teenage son. Late at night, while shooting the breeze with other cabbies, the driver learns about “Big Tits,” his colleagues’ name for a woman whose supposedly rides naked around town on her motorcycle, and becomes obsessed with seeing her. “The Mad People of Paris” follows the aftermath of the Bataclan massacre in 2015 as the narrator, a researcher visiting the city 10 days after the attack, meets people still in recovery and describes the grief carried by Parisians as “a kind of invisible shawl.” Calderón’s precise prose here (and throughout) is wonderfully translated by Bunstead, as the narrator remarks how “the silence of those days was a scarf made of the very air, wrapped close around the necks of the locals and we foreigners alike.” Calderón brings a delicate focus to his characters’ strange encounters. This writer continues to impress.


Rodrigo Blanco Calderón is a writer and editor. He has received various awards for his stories both inside and outside Venezuela. In 2007, he was invited to join the Bogotá39 group, which brings together the best Latin American narrators under thirty-nine years old. In 2013, he was a guest writer at the University of Iowa’s International Writing Program. In 2014, his story “Emuntorios” was included in Thirteen Crime Stories from Latin America, volume number forty-six of the prestigious magazine McSweeney's. With his first novel, The Night (Seven Stories Press, 2022), he won the 2016 Paris Rive Gauche Prize, the Critics Award in Venezuela, and the 2019 Mario Vargas Llosa Biennial Prize. His story “The Mad People of Paris,” included in his 2022 collection, Sacrifices (Seven Stories Press, 2022), won the O. Henry Prize and was included in The Best Short Stories 2023: The O. Henry Prize Winners, guest edited by Lauren Groff. 

Thomas Bunstead has translated some of the leading Spanish-language writers working today, including Agustín Fernández Mallo, María Gainza, and Enrique Vila-Matas, and his own writing has appeared in publications such as Brixton Review of BooksLitHub, and The White Review. He is a former co-editor of the translation journal In Other Words and currently a Royal Literary Fellow, teaching at Aberystwyth University (2021-2023).