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Book cover for Kurt Vonnegut
Book cover for Kurt Vonnegut

The first and only YA biography of the great American novelist and humanist comes out on the 100th anniversary of his birth.

Kurt Vonnegut, author of Slaughterhouse Five, Breakfast of Champions, Cat's Cradle, and many other brilliant novels and short stories, is one of our greatest American writers, often using science fiction, humor, and a humanist view of society, religion, politics, and human nature in his writing to show us the absurdity and the loveliness of life on earth. Born in 1922, Vonnegut's life was full of great fortune and great despair: his family was wealthy, but lost everyting in the market crash of 1929; he was the youngest son in a loving family, until his mother fell into a depression and committed suicide; he joined the army in WWII with great pride for our country, but experienced instead a world of destruction and horror. These and many others were the experiences that made him a writer. But how did he channel the highs and lows of his life into great writing?

Dan Wakefield, a friend and mentee of Vonnegut's for decades and a fellow Hoosier, distills the facts including Kurt's novels, essays, interviews, letters and personal experiences, into a beautiful telling of the making of a writer. Using the second person "You," it is as though Wakefield is a friend walking through Kurt's life alongside him, a guide for readers to his extraordinary life. Here is an American life, a burgeoning artist's life to inspire anyone who has read Vonnegut's work or who themselves aspire to write.

Book cover for Kurt Vonnegut
Book cover for Kurt Vonnegut

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It’s not only young adults who will get a kick out of the book. You will, too — especially if you’re interested in novels and novelists, especially if you come from Indianapolis or lived through the 1960s or miss the way people used to write letters to each other. You get the idea that Mr. Wakefield’s account of Vonnegut’s life is funny and tender, the kind of book that will leave you bruised and happy and reverberating a little, as if you are a piano that someone has just finished playing.

“Dan Wakefield has delivered Kurt Vonnegut to a new generation of readers. During the Vietnam war years Vonnegut was regarded as a truth-teller by young students who gulped down his novels. As Wakefield puts it, 'He said things that other people thought but didn’t’ say or hadn’t dared to think but recognized as true when they heard them.' This book is especially important to anyone who aspires to be a writer. Vonnegut was more than merely gifted: he was dogged. In 1992, when he was 70, Vonnegut said, 'It has always been the case with me that when my life is a mess I can find some relief by writing.' Vonnegut’s good friend Dan Wakefield knew him as did few others; and he has done us all a favor with this detailed biography of this fearless writer.”

“In this rich, engaging biography, Dan Wakefield introduces readers to the key mentors, artistic influences, family members, and experiences that shaped Kurt Vonnegut’s distinctive voice and extraordinary career as a writer. Vonnegut fans young and old alike will be enchanted by Wakefield’s intimate and always insightful portrait of the beloved Hoosier icon.”

“I love the tone the second person gives the story. There's something intimate and warm about it, the way a loving parent might speak to a child. It says I see you and I understand you. The thing that students love about Vonnegut is the humor but also the moral compass, the humanity and this book shows where it comes from.”

A penetrating view of the life, work, and character of a renowned writer, artist, playwright, and countercultural icon. Wakefield, editor of Vonnegut’s collected letters and short stories as well as a personal friend of the late author, incorporates dozens of the former as well as extracts from speeches and personal memories into a present-tense, second-person encomium that slides smoothly over some rougher spots—notably fractured relationships with certain publishers and agents as well as both of his wives. But readers who are still, after so many years, encountering Vonnegut’s edgy, profane, often hilarious writing in high school or later will find links aplenty between his early experiences and later works and themes alongside ample documentation of his devastating and even now timely attacks on warmongers and, as the author of several perennially challenged books, self-appointed censors. The epistolary passages make up for a relative paucity of direct quotes from the books in providing a sense of his voice, and the notes for an undelivered talk that close the main narrative (the editor adds on substantial reminiscences and acknowledgments) do capture his characteristic sensibility and wit: “And how should we behave during this Apocalypse? We should be unusually kind to one another, certainly. But we should also stop being so serious. Jokes help a lot. And get a dog, if you don’t already have one….I’m out of here.” Sympathetic, authoritative, and readable.

“A complete portrait of Vonnegut as artist, practical joker, brother, father, uncle, friend, mentor and humanist emerges, mostly through his own words (the cover sports a Vonnegut silk-screen drawing, a passion he discovered late in life). Included are the fiery letter he wrote the draft board when his son sought conscientious objector status during the Vietnam War, the prank letter that almost got him fired from GE, the scathing letter he wrote a critic ("thank you for your comments on how slowly my literary reputation is dying"), the tender last phone conversation he had with his ex-wife as she lay on her deathbed.”

blog — March 19

Remembering Dan Wakefield (May 21, 1932 - March 13, 2024)

Dan Wakefield’s NYT obituary gives a great sense of the beauty and range of the man. I just want to add that he and Kurt Vonnegut shared a publisher in Seymour Lawrence, who introduced the two, asking the older Vonnegut to show the younger Wakefield around. Vonnegut took Wakefield under his wing. And after Vonnegut’s death Wakefield repaid his friend by editing Vonnegut’s letters for Random House, setting a new standard for Vonnegut studies at the time. And then, together with Jerry Kinkowitz, also editing, for Seven Stories, Vonnegut’s Complete Stories, a phenom of a story collection, weighing in at over a thousand pages in an oversized volume for which our art director Stewart Cauley created a font based on Vonnegut’s lettering. Dan Wakefield’s passion, for people, for books, and for his fellow writers was unparalleled.

—Dan Simon

Dan Wakefield, Multifaceted Writer on a Spiritual Journey, Dies at 91

He was prolific and acclaimed, producing novels, journalism, essays, criticism, screenplays and, in a memoir, an account of his path from faith to atheism and back again.

By David Stout

David Stout, a former editor and reporter with The Times, died in 2020. Alex Traub contributed reporting.

Dan Wakefield, a man with wavy blond hair, leans his face on his right hand. He wears a blue T-shirt and wire-rimmed glasses and smiles.

The author Dan Wakefield in 1997. He had more than 20 books to his credit, including five novels.
Credit: Peter Taylor/Associated Press

Dan Wakefield, a protean and prolific journalist, novelist, screenwriter, critic and essayist who explored subjects as diverse as life in New York City in the 1950s, the American civil rights movement, the wounds that war inflicts on individuals and society, and, not least, his personal journey from religious faith to atheism and back again, died on Wednesday in Miami. He was 91.

His death, at a hospice facility, was confirmed by Will Higgins, who from 2016 to 2017 hosted a public radio show with Mr. Wakefield, “Uncle Dan’s Story Hour,” on which Mr. Wakefield told stories about his life and career from the Red Key Tavern, an old bar in Indianapolis, his hometown. His health began to decline late last year after he had a stroke, prompting his move to Miami, Mr. Higgins said.

Mr. Wakefield achieved early and stunning success as a writer and was still writing well into his last years. He had more than 20 books to his credit; most of them were nonfiction, but he also wrote novels. Critics and other authors praised his work as showing a reporter’s instincts combined with graceful prose.

He began to build his reputation shortly after graduating from Columbia University in 1955 with honors in English, writing articles, essays and stories for Esquire, The Nation, Playboy, Commentary and other magazines. Not long after his graduation, The Nation sent him to Mississippi to cover the Emmet Till murder trial, one of the catalysts of the civil rights movement.

After the trial was over, with an all-white jury’s acquittal of the white men involved in one of the most heinous racial murders in American history, Mr. Wakefield wrote, “The crowds are gone and this Delta town is back to its silent, solid life that is based on cotton and the proposition that a whole race of men was created to pick it.”

He went on to find acclaim before he was 27, with the publication in 1959 of his first book, “Island in the City: The World of Spanish Harlem,” an account of the six months he spent living in a Puerto Rican neighborhood of Manhattan.

The book cover of “Island in the City” is dominated by a roughly drawn illustration of a city scene: a lamppost with garbage cans at its feet and laundry flapping on clotheslines above, all in silhouette against a yellow sky and a giant red sun.
Mr. Wakefield’s 1959 account of six months he spent living in a Puerto Rican neighborhood in Manhattan brought him acclaim before he was 27.
Credit: Ayer Co

“To read Mr. Wakefield’s book is to walk into 100th Street in Spanish Harlem and suddenly share its life, its problems and its tragedies,” Harrison E. Salisbury of The New York Times, who had himself written about New York’s Puerto Ricans, declared in a review. Mr. Wakefield’s reporting on the neighborhood’s crime and other social problems, he added, “should bring civic conscience to a boil — if such a conscience does, in fact, exist.”

Mr. Wakefield’s next book, “Revolt in the South” (1962), explored resistance to the civil rights movement in the old Confederacy. While praising his “humility and compassion,” Claude Sitton, who covered the civil rights movement for The Times in the 1950s and ’60s, faulted the book in a Times review for “errors of fact and judgment” and for overlooking differences among the Southern states.

In 1970, his first novel, “Going All the Way,” achieved a level of recognition that most writers find only in their dreams. Nominated for a National Book Award, it told the story of two young Korean War veterans returning to their homes in Indianapolis in the summer of 1954 and finding that the middle-class values they had grown up with were no longer enough.

The cover of “Going All the Way,” with its title in large black script against a solid, bright red background.
Mr. Wakefield’s first novel, from 1970, drew critical praise and became the basis of a 1997 movie, for which he wrote the screenplay.
Credit: Delacorte Press

The novel was praised by critics and some major writers. Gay Talese called it “wonderful, sad and funny.” One critic said Mr. Wakefield was a bit like Norman Mailer but without the “rhetorical boom and self-idolatry.” Another pronounced it simply “a great book.”

Kurt Vonnegut, who had attended the same Indianapolis high school as Mr. Wakefield about a decade before him, wrote in a foreword that “Going All the Way” was “a richer book than ‘Portnoy’s Complaint’” and with “wider concerns and more intricate characters” than that Philip Roth classic.

Mr. Vonnegut was similarly effusive about “Going All the Way” in Life magazine. In 2015, Mr. Wakefield told The Times that he regarded Mr. Vonnegut as the “godfather” of “Going All the Way,” for the praise he had heaped upon it. The two writers became good friends. In 2017, Mr. Wakefield coedited a volume of Mr. Vonnegut’s complete stories.

Mr. Wakefield’s other novels were “Starting Over” (1973), about a divorced man torn between a new love and his ex-wife; “Home Free” (1977), about a slacker on a cross-country trip in the countercultural America of the 1960s; “Under the Apple Tree” (1982), a coming-of-age tale set in small-town Illinois during World War II; and “Selling Out” (1985), about a college professor and serious short-story writer who goes to Hollywood to write a sophisticated television series — an experience not unlike Mr. Wakefield’s own.

A black and white photo of a teenage boy leaning over the back of a wooden bench where a woman with dark hair sits and has turned her head to look at him. Both wear winter coats.

Lance Kerwin, in the title role, and Kate Jackson, as a guest star, in scene in 1977 from “James at 15,” an NBC drama series created by Mr. Wakefield.
Credit: 20th Century Fox, via Everett Collection

His television credits included “James at 15,” an NBC drama about the life of a teenage boy, which he created. He quit the show early in 1978, just a few months after its premiere, after a dispute with the network over an episode in which the protagonist loses his virginity. (He accused NBC of playing down the script’s references to birth control.) The series was canceled shortly afterward.

He also wrote the screenplay for the 1997 movie adaptation of “Going All the Way,” which starred Ben Affleck, Rachel Weisz and other young actors. “Starting Over,” too, was the basis for a movie, released in 1979, with Burt Reynolds and Jill Clayburgh.

Mr. Wakefield began his writing career as a columnist for his high school newspaper in Indianapolis and a sports stringer for The Indianapolis Star. (At a convention for high school journalists, he roomed with another young sports columnist, Richard G. Lugar, who later was elected mayor of Indianapolis and to the United States Senate. Both youths were Eagle Scouts.)

Mr. Wakefield studied journalism at Harvard in 1963 and 1964 under a Nieman fellowship. His other awards included a Rockefeller Foundation grant in 1968. Over the years, he taught and lectured at several colleges and universities and numerous writers’ workshops.

In a close-up photo, Mr. Wakefield as an older man with white hair and wearing a blue shirt in a green outdoor setting. He is looking at the camera with a pensive expression.
In “Returning: A Spiritual Journey” (1988), Mr. Wakefield recounted using alcohol and drugs to fight off a “sense of blank, nameless pain in the pit of my very being.

Dan Wakefield — his birth name was Dan, not Daniel — was born in Indianapolis on May 21, 1932, to Ben and Brucie (Ridge) Wakefield. He was raised Presbyterian and became a Baptist. But as he morphed from an awkward, acne-afflicted adolescent into a young adult, a spiritual emptiness replaced his faith. He agonized as his parents divorced, he had troubled relationships with women, and he found little solace in talk therapy. By the time he was 24, he recalled in an essay in The Times, “I had bourboned myself into near oblivion.”

He used alcohol and drugs to fight off a “sense of blank, nameless pain in the pit of my very being,” he wrote in “Returning: A Spiritual Journey” (1988). The next year, in an essay in The Times, he wrote that his way back to belief was marked by logic — he recalled a physicist asking, “Why is there something rather than nothing?” — as well as contemplation.

On Christmas Eve 1980, he attended a service at King’s Chapel, a Unitarian Universalist church in Boston (the minister was a neighbor). He became active in the church, having found himself in the presence of a “larger force or purpose or higher power I identify as God,” he wrote in “Returning.”

The cover of the book is dominated by giant black italic san-serif letters spelling “returning,” with the word broken up into a stack of three syllables: ‘Ret, urn and ing.” The cover also notes that the foreword is by Harvey Cox and carries a blurb of praise from Bill Moyers.

Mr. Wakefield traced his path back to religious faith in this 1997 memoir.
Credit: Beacon Press

Mr. Wakefield lived his final years in Indianapolis. He moved back there in 2011 after living in Miami for 17 years as a writer in residence at Florida International University. He had also lived in New York, Boston, Hollywood and Venice, Calif.

In his later years, he led workshops on spirituality at churches and synagogues across the United States and at the Sing Sing Correctional Facility in Ossining, N.Y.

His marriage to Alice Jokela Stewart ended in divorce. No immediate family members survive.

Mr. Wakefield had a paternal relationship with his goddaughter, Karina Corrales, whose mother took a writing class with him in Miami after his move there. He met Ms. Corrales when she was toddler and ultimately paid for her to attend college. He had spent time with her and her husband toward the end of his life.

Asked to define his philosophy of life, Mr. Wakefield quoted Philo, the ancient philosopher of Alexandria, Egypt: “Be kind, for everyone you know is fighting a great battle.” As for his life beyond writing, reading and reflecting, he said, “No golf, no horseshoes, no stamp-collecting, no hobbies.” And, he added, “No regrets.”

Dan Wakefield

A longtime friend of Kurt Vonnegut’s, Dan Wakefield edited and introduced Kurt Vonnegut: Letters. Wakefield is the author of the memoirs New York in the Fifties and Returning: A Spiritual Journey. His novel, Going All the Way was made into a movie starring Ben Affleck. Wakefield also created the NBC prime time series James at Fifteen. He lives in Indianapolis, Indiana.