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Works of Radical Imagination

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A masterpiece of mood and setting, character and remembrance, The Cuban Club is Barry Gifford's ultimate coming-of-age story told as sixty-seven linked tales, a creation myth of the Fall as seen through the eyes of an innocent child on the cusp of becoming an innocent man.

Set in Chicago in the 1950s and early 1960s against the backdrop of small-time hoodlums in the Chicago mob and the girls and women attached to them, there is the nearness of heinous crimes, and the price to be paid for them. To Roy and his friends, these twists and tragedies drift by like curious flotsam. The tales themselves are koan-like, often ending in questions, with rarely a conclusion. The story that closes the book is in the form of a letter from Roy to his father four years after his father's death, but written as if he were still alive. Indeed, throughout The Cuban Club Roy is still in some doubt whether divorce or even death really exists in a world where everything seems so alive and connected.        

Barry Gifford has been writing his Roy stories on and off for over thirty years, and earlier Roy stories have been published as Wyoming, Memories from a Sinking Ship and The Roy Stories. But it is in The Cuban Club that he brings the form he has created in these stories to its crystallization. Indeed, to find precedents for The Cuban Club, we must look not to other story collections, but to other creation myths--to Gilgamesh, or the Old Testament, or Eduardo Galeano's Memory of Fire trilogy. Roy's age in these stories wends back and forth between six and nineteen and back to twelve. He sees with the eyes of a seer who doesn't seem to age, and knows not to judge the good or the bad in circumstances or people, or even to question why things are as they are, instead filled with the romance of the world teetering on catastrophe always, but abounding in saving graces.

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“What Gifford does with just a few pages is nothing short of magical. These very short stories straddle innocence and experience, good and evil. His tales are always dense with information, yet register with dreamlike intensity and have the resonance of an epiphany.”

“Barry Gifford’s new coming-of-age collection, The Cuban Club, is masterfully written, cinematic and personal ... The sixty-seven tales bounce around the years of Roy’s youth, following his innocent yet keen, street-smart, laconic observations about relationships, romance and tragedy, reminiscent at times of Russell Banks.”

blog — June 05

50% Off Our Dark Fiction for Sunny Days Reading List

The Seven Stories fiction list began with Nelson Algren stories, with titles like "The Face on the Barroom Floor" and "The Lightless Room." These are not exactly beach reads, nor are the books you'll find below. What you will find are novels rooted in this world, presenting the dignity of people struggling to make sense of it and in one way or another to change it.

So, this is another kind of summer fiction list. We hope you'll find much that will challenge, inspire, and engage, in times of darkness and of light.

All titles 50% off for one week only, through June 14, 5:00PM EST. Check out the full collection here.

Parable of the Sower is the Butlerian odyssey of one woman who is twice as feeling in a world that has become doubly dehumanized. The time is 2025. The place is California, where small walled communities must protect themselves from hordes of desperate scavengers and roaming bands of people addicted to a drug that activates an orgasmic desire to burn, rape, and murder. When one small community is overrun, Lauren Olamina, an 18-year-old black woman with the hereditary trait of "hyperempathy"—which causes her to feel others’ pain as her own—sets off on foot along the dangerous coastal highways, moving north into the unknown.

Parable of the Talents is the continuation of the travails of Lauren Olamina, the heroine of 1994's Nebula-Prize finalist, bestselling Parable of the Sower. It is told in the voice of Lauren Olamina's daughter—from whom she has been separated for most of the girl's life—with sections in the form of Lauren's journal. Against a background of a war-torn continent, and with a far-right religious crusader in the office of the U.S. presidency, this is a book about a society whose very fabric has been torn asunder, and where the basic physical and emotional needs of people seem almost impossible to meet.

The Undiscovered Chekhov gives us, in rich abundance, a new Chekhov. Peter Constantine's historic new collection presents 38 new stories and with them a fresh interpretation of the Russian master. In contrast to the brooding representative of a dying century we have seen over and over, here is Chekhov's work from the 1880s, when Chekhov was in his twenties and his writing was sharp, witty and innovative.

The Years is a personal narrative from Annie Ernaux of the period 1941 to 2006 told through the lens of memory, impressions past and present—even projections into the future—photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from six decades of diaries. Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here.

"The Years is an earnest, fearless book, a Remembrance of Things Past for our age of media domination and consumerism, for our period of absolute commodity fetishism."—Edmund White, New York Times Book Review

"The Years is a revolution, not only in the art of autobiography but in art itself. Annie Ernaux's book blends memories, dreams, facts and meditations into a unique evocation of the times in which we lived, and live."—John Banville

Jalla is a boy growing up in Salé, Morocco—the hometown author Abdellah Taïa fled, but which he continues to reimagine in his fiction and films—with no one to care for him but his mother, a prostitute and witch doctor. Fiercely protective of her, but also deeply vulnerable, he is propelled through a world peopled with an unforgettable cast of characters—soldiers, wanderers—and set aglow by the spirit of Marilyn Monroe, until unforseeable events at last set him on the path he has least forseen for himself: the one that leads to jihad.

"Infidels combines a lightness of touch, a deep lyricism, an openness to beauty and mystery, with an undercurrent of daring, fierce, erotic energy and images of shocking brutality and challenging complexity."—Colm Tóibín

Elfriede Jelinek's first novel to be published in English after she won the Nobel Prize, Greed is the story of Kurt Janisch, an ambitious but frustrated country policeman, and the lonely women he seduces. It is a thriller set amid the mountains and small towns of southern Austria, where the investigation of a dead girl's body in a lake leads to the discovery of more than a single crime. In her signature style, Jelinek chronicles the exploitative nature of relations between men and women, and the cruelties of everyday life.

Winner of the 2016 Center for Fiction First Novel Prize

The hotly anticipated first novel by lauded playwright and The Wire TV writer Kia Corthron, The Castle Cross the Magnet Carter sweeps American history from 1941 to the twenty-first century through the lives of four men—two white brothers from rural Alabama, and two black brothers from small-town Maryland—whose journey culminates in an explosive and devastating encounter between the two families.

"A stunning achievment by any measure."—Angela Davis

A masterpiece of mood and setting, character and remembrance, The Cuban Club is Barry Gifford's ultimate coming-of-age story told as sixty-seven linked tales, a creation myth of the Fall as seen through the eyes of an innocent child on the cusp of becoming an innocent man.

Read a (very) short story from The Cuban Club here.

“For a long time I believed that writing meant dying . . .” begins So Vast the Prison, the double-threaded story of one woman’s existence set against the unforgiving history of her country.

So Vast the Prison is the most ambitious work to date by Assia Djebar, the woman many consider to have been North Africa’s most important literary voice. The tragedies of Algerian history are its subject—particularly the condition of women in Islam. Djebar’s fiction, like that of Nadine Gordimer and Edna O’Brien, wrestles with issues of oppression and the subtle ways that language and history enforce it.

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The author of more than forty works of fiction, nonfiction, and poetry, which have been translated into over twenty-five languages, BARRY GIFFORD writes distinctly American stories for readers around the globe. From screenplays and librettos to his acclaimed Sailor and Lula novels, Gifford’s writing is as distinctive as it is difficult to classify. Born in the Seneca Hotel on Chicago’s Near North Side, he relocated in his adolescence to New Orleans. The move proved significant: throughout his career, Gifford’s fiction—part-noir, part-picaresque, always entertaining—is born of the clash between what he has referred to as his “Northern Side” and “Southern Side.” Gifford has been recipient of awards from PEN, the National Endowment for the Arts, the American Library Association, the Writers Guild of America, and the Christopher Isherwood Foundation. His novel Wild at Heart was adapted into the 1990 Palme d’Or-winning film of the same name. Gifford lives in the San Francisco Bay Area.

Other books by Barry Gifford