The only YA book to tell the story of Aimé Césaire, the rise of Negritude, and the crusade for Black African and Caribbean independence from colonial rule.
Aimé Césaire was a poet and, later, a politician from the Caribbean island of Martinique, who spoke out against the sufferings and humiliations endured by the peoples of the former French colonies. In Aimé Césaire: No to Humiliation, we are with Césaire in 1930s Paris. The young Martinican poet and his friends Léopold Sédar Senghor and Léon Gontran Damas are launching the Negritude movement. Together, they celebrate their Black African roots, protesting French colonial rule and policies of assimilation. They invite West Indians, Senegalese, Guyanese, and others to reject the suffocating French colonial presence and to take pride in their accents, their cultures and their shared histories. Aimé's great book-length poem, Notebook on the Return to the Native Land, and other works, are a global inspiration. His speeches enliven the crowds back home in Martinique, and he rises in the political arena, defending Martinican identity. As a writer, as the Mayor of Fort-de-France and deputy of the French National Congress, Aimé Césaire continues to write and to fight against colonial power and for the dignity of Black peoples everywhere.
There have always been people who said NO to what they considered unjust and unfair. They Said No is an historical fiction series for younger readers of protestors, activists, poets, revolutionaries and other brave changemakers from around the world that emphasizes the importance of standing up for what you know is right.
Collected in
The “They Said No” Series
EMMA RAMADAN is an educator and literary translator of all genres from French, with a focus on undersung women novelists, experimental literature, and writers from the Arab world. She is the recipient of the 2021 PEN Translation Prize, the 2018 Albertine Prize, two National Endowment for the Arts fellowships, a PEN/Heim grant, and a Fulbright. Her translations include Sphinx, Not One Day, and In Concrete by Anne Garréta; A Country for Dying by Abdellah Taïa; Zabor, or the Psalms by Kamel Daoud; co-translations with Olivia Baes of The Easy Life and Me & Other Writing by Marguerite Duras; and Panics by Barbara Molinard. Her translations of Lamia Ziadé ’s Mon port de Beyrouth and Ma très grande mélancolie arabe are forthcoming from Pluto Press.
